Sarahjane Blum is an author, cultural historian, and co-owner of Grapefruit Moon Gallery, which specializes in original American illustration art. Louis Meisel is owner of one of the oldest pin-up and illustration art galleries in New York. In addition to the chapters on the 10 featured artists, the book includes thumbnail bios and representative art of 85 additional artists, the most complete compendium of pin-up artists ever compiled. The majority of original paintings were discarded by publishers and calendar companies after printing, making the surviving art that much more precious. Pin-up—drawings, paintings, and pastels of an idealized female face and figure intended for public display—was produced between 1920 and 1970 for use on calendars, magazine covers, and centerfolds.
Years of TASCHEN
Withers subsequently appeared in many films as an uncredited extra, though occasionally she had a line of dialogue. Withers stood to the side while the other children interviewed with director David Butler. Both in Atlanta and in Hollywood, the family would invite “six busloads of orphan children” to come to their home after church and Sunday school for lunch and afternoon entertainment. In the 1990s and early 2000s, she did voice work for Disney animated films. Jane Withers (April 12, 1926 – August 7, 2021) was an American actress and children’s radio show hostess.
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For her twelfth birthday, her parents hired a 21-seat cargo plane for $18,000 to give party guests a low-altitude ride. Withers’s birthday parties, described as “the social event of the season for movietown’s small fry”, were annually covered by the media. When she became a teenager, her parents built a second-floor addition that included a beauty salon and soda fountain where Withers could entertain her friends.
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In Los Angeles, Jane performed on children’s shows on KFWB radio, did cartoon voice-overs, and also modeled. She began her entertainment career at the age of three and, during the Golden Age of Radio, hosted her own children’s radio program in her home city of Atlanta, Georgia. 🔸 At Pinup Portrait with personalized, vintage-inspired artwork. Vintage pinup models inspired trends ranging from fashion editorials to tattoos and digital creativity.
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Famous pinup models mastered expressive pin up posing. The most enduring pin up models became muses for illustrators who shaped classic pin up art. 🌹 Famous pinup models have never faded into history. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average.
Filmography
Withers often received top billing even over other established stars. In 1936, she starred in Paddy O’Day, Gentle Julia, Little Miss Nobody, and Pepper. The same year, she appeared in a brief role in The Farmer Takes a Wife and then starred in This Is the Life. After Withers signed her contract with Fox, her mother invested $10,000 into developing additional skills to improve her versatility as an actress, with the intention of spending $20,000 over an eight-year period. After filming wrapped, Withers signed a seven-year contract with Fox Film Corporation. Withers was concerned that filmgoers would hate her for being so mean to Temple, but the film was a box-office hit.
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Artists like Alberto Vargas transformed real women into idealized beauty through legendary pinup artwork that still defines the genre. 🎀 At Pinup Portrait, we keep this legacy alive by transforming real photos into elegant pinup art inspired by iconic models of the past. From WWII posters to contemporary digital art, the pinup aesthetic remains timeless. Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer – no Kindle device required. This book features the top 10 pin-up artists of the 20th century, from Enoch Bolles to Gil Elvgren, George Petty, and Alberto Vargas, plus Dian Hanson’s history of the art form. The majority of original paintings were discarded by publishers and calendar companies after printing, making the surviving art that much more precious.This attractively priced edition showcases the top 10 names in the game.
After a 1936 kidnapping threat, she was always accompanied by round-the-clock bodyguards. Withers was allowed to go on chaperoned dates with boys of her age in her early teens; by age 16 she was permitted to go on solo dates. Her twenty-first birthday party was planned for a nightclub with 200 guests, but after she came down with the flu, Withers instead served cake and ice cream and watched movies in her personal suite at home with 12 close friends. Withers had her eighteenth birthday party at Madison Square Garden with a circus theme and invited U.S. servicemen and their dates to be her guests. The short was transferred to 16 mm film for viewing by U.S. troops overseas during World War II.
- Withers’s birthday parties, described as “the social event of the season for movietown’s small fry”, were annually covered by the media.
- The collection, enlarged by contributions from her fans, grew into one of the largest in the world.
- Withers’s thirteenth birthday party saw 60 young guests come in costume and participate in a balloon dance and jitterbug contest; this party earned a two-page pictorial spread in Life magazine.
- The most enduring pin up models became muses for illustrators who shaped classic pin up art.
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Her afternoon swim parties continued into her teens and were the subject of many a fan magazine. Her earnings from film roles were invested in trust funds and annuities; Withers had to use her allowance money to buy things she wanted for herself, which often meant saving up for weeks. According to Farley Granger, Withers was “cast as the obnoxious, smart-aleck teen as opposed to Deanna Durbin’s or Judy Garland’s plucky and adorable adolescent”. As a child, Withers’s “stocky and sturdy” build and straight black hair also contrasted with Temple’s “pudgy but delicate” figure and blonde ringlets. In contrast to Temple’s cute and charming characters, Withers was usually cast as a mischievous little girl or “a tomboy rascal”, leading to her being described as “America’s favorite problem child”.
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To ease the pressured life of a child star, Withers’s parents made sure she also had fun, but kept her activities supervised and close to home. Withers and Shirley Temple were the two most popular child stars signed to 20th Century Fox in the 1930s. Her other films in the 1940s were The North Star (1943) for RKO Pictures and Danger Street (1947) for Paramount Pictures. Her Republic films were Johnny Doughboy (1942), My Best Gal and Faces in the Fog (both 1944), and Affairs of Geraldine (1946).
Each chapter opens with a tipped-in reproduction of an original calendar or magazine cover by that artist. The top 10 artists are profiled in depth. Formidably sized, The Art of Pin-up is an impressive book that will be coveted by casual fans as well as https://pinup.net.in/ hardcore pin-up collectors. Paintings by leading artists such as Alberto Vargas, George Petty, and Gil Elvgren that sold for $ 2,000 in 1996 are going for $ 200,000 and more today.
She returned to the screen when George Stevens asked her to take a supporting role in his 1956 film Giant. In 1955, a year after her divorce, Withers returned to Los Angeles and enrolled in the University of Southern California film school with the intention of becoming a director. Jane Withers and the Swamp Wizard (1944) by Kathryn Heisenfelt was said to “star some version of the real Jane Withers”. In the 1940s, Withers was featured as the heroine of three mystery novels published by Whitman Publishing, which produced 16 authorized editions featuring notable film actresses of that era. Numerous dolls were made in her likeness, including four Madame Alexander dolls in 1937 ranging in height from 13.5–20 in (340–510 mm). Withers’ parents licensed her name and image to numerous product lines.
- Whether it’s a model pin up illustration or a modern pin up photoshoot, the essence remains the same—confidence, beauty, and charm.
- Jane Withers and the Swamp Wizard (1944) by Kathryn Heisenfelt was said to “star some version of the real Jane Withers”.
- In 1940 she filmed Shooting High with co-star Gene Autry, and starred in the teen films High School, The Girl from Avenue A, and Youth Will Be Served.
- Pin-up—drawings, paintings, and pastels of an idealized female face and figure intended for public display—was produced between 1920 and 1970 for use on calendars, magazine covers, and centerfolds.
- 🌹 Famous pinup models have never faded into history.
Jane launched her entertainment career at the age of three after winning a local amateur contest called Dixie’s Dainty Dewdrop. Jane Withers was born on April 12, 1926, in Atlanta, Georgia, the only child of Walter Edward Withers and Lavinia Ruth (née Elble) Withers. She was also known for her philanthropy and her extensive doll collection.
Pin-up—drawings, paintings, and pastels of an idealized female face and figure intended for public display—was produced between 1920 and 1970 for calendars, magazine covers, and centerfolds. In October 1955, Withers remarried, to singer Kenneth Errair of The Four Freshmen, with whom she had two more children. The couple lived on ranches in Midland, Texas, and New Mexico with their three children. In May 1947, Withers announced her engagement to William (Bill) Moss, a Texas entrepreneur and film producer, after a two-year courtship. On February 8, 1960, she was recognized for her contribution to film with a star on the Hollywood Walk of Fame, located at 6119 Hollywood Boulevard. She also sent her personal doll collection—then numbering some 3,500 dolls—on a two-year tour which raised $2.5 million in funds for the U.S. war effort through 10-cent war savings stamp admissions.
Studio contracts generally included a series of six-month option periods when the studio could terminate the agreement should the actor’s films stop making money. At age 13, she took the initiative to make a film with Gene Autry by acting as a go-between between 20th Century Fox studio head Joseph M. Schenck and Republic Pictures head Herbert J. Yates. Withers’s big break came two years after she started working as an extra, when she landed a supporting role in the Shirley Temple film Bright Eyes (also 1934), also directed by Butler. Handle with Care was Withers’s first film appearance, though she and all the children were photographed with their backs to the camera.
; and No, No, Nanette, Withers was financially comfortable and chose to spend most of her time raising her children. In 2006, Withers participated in a 50th-anniversary screening of the film for 700 attendees in Marfa, Texas, where location shooting had taken place. Withers retired from film at age 21 in 1947, shortly after completing Danger Street and nine days before her marriage to William Moss, a Texas entrepreneur and film producer. Her popularity in comedy films also hindered her acceptance as a dramatic actress in films such as The North Star (1943). In the early 1940s, Hollywood’s child-star genre that had catapulted Withers to fame was on the decline.
Discover more of the author’s books, see similar authors, read book recommendations and more. Paintings by leading artists such as Alberto Vargas, George Petty, and Gil Elvgren. The 40th Edition presents new editions of some of the stars of our program—now more compact and still realized with the same commitment to impeccable production. In 2020, we celebrated 40 years of incredible books by staying true to our company credo. Each chapter opens with a reproduction of an original calendar or magazine cover by that artist. Since TASCHEN released The Great American Pin-up, international interest in this distinctly American art form has increased exponentially.